Tuesday, February 18, 2014

A Geisha, a Samurai and a Missionary Made Me Do It

As long as I can remember, the front bathroom in my grandmother’s house on 22nd Avenue in Hattiesburg, which shared an alley with the Gold Post Restaurant, not one mile to the east of the campus of USM, had been decorated the same way since I was a baby.  Her house was probably built back in the 1930’s and was of a Mediterranean style with a red clay tile roof and a beige, actual stucco exterior.  There were 10’ ceilings throughout most of the house and a 12’ ceiling in the living room.  Every finish in that old house was all-natural; be it the heart pine floors, the old English red brick fireplace, or the different stucco finishes on the walls and the ceilings.  Grandmother had moved to that house in 1965 after my father sold their old family home on Hardy Street, directly across the street from the entrance to the university, to build Burgertown on the property; a drive-in restaurant with indoor seating and the first drive-up window in the Southeastern United States.  The bathroom in the front of the house was finished with 2”x4” white tiles from the floor up the walls to about three feet from the ceiling.  There were 4”x4” matching white tiles on the floors and all of the fixtures, a classic pedestal sink, a cast iron tub (though not a clawfoot, was very large and rounded just the same), and a short, round bowled water closet that were all of the same bright white porcelain finish as the tiles.  Though the shower spigot above the tub was added later and had separate controls for the water, they were white porcelain cross handles, the same as the other faucets as the tub controls and the ones on the sink.  There was a nook for a small white dressing table to the left of the sink and two very ornate, old-gold scalloped framed oval mirrors; one over the table and one over the sink.

All of the other usual bathroom trappings that are used to accessorize a bathroom were present, as well.  While today, I am certainly not a fan of those old shag carpet bath mats, I was grateful for those three olive-green shaggy mats she put down on the floor, as they kept my feet from touching the cold floor tiles, as I waited what seemed an eternity for the eventual scalding hot water to flow from one of the faucets in the tub.  And in keeping with the theory that more-is-better, we were blessed with a coordinating shag carpet toilet seat cover and a shag carpet toilet lid cover.   It was the contrast of a white plastic container on the green-carpeted lid on the back of the water closet that caught my attention.   It was 1995 and grandmother’s sister, my old-maid aunt, Floy Smith, who had been a 25 plus-year missionary to the Philippines after serving for 10 years as a school teacher for the US Military in Manila, had moved home to retire and was living with my grandmother. 

Having spent so much time in the Far East, Aunt Floy had quite a collection of furnishings, art, decorations, and nick-knacks with an Oriental theme.  While grandmother was quite easy going and not bothered by too much, Aunt Floy had “redecorated” my grandmother’s classically appointed house with many of these things that had adorned the walls and floors of her house in Baguio, the Philippines.  The only room that seemed to be “off limits” to Aunt Floy’s whims was that front bathroom.  We never knew if it were grandmother’s absolute rule (though highly unlikely, considering her unimposing demeanor being exactly the opposite of that of Aunt Floy, my dad, or myself) or if was just the fact that there was really no place to add any of the embellishments, usually reserved for the likes of an Oriental brothel or a Chinese Buffet.

Because of the “rule,” one always knew that he or she could go into that front bathroom and do their appropriate deed without fear of being watched by an extremely white faced geisha, half-bowing to the left, as she held an opened fan in her ghostly hands or grimaced at by some tubby round semblance of Buddha, only a slight bit less scary than the samurai warrior statues, who must have been related to the “Chucky” dolls of horror film genre.  But it was on a fall weekend afternoon in 1995, when Aunt Floy had gone to give one of her many lectures at the college about her experiences abroad, did Vicki and I sneak over to visit Grandmother.  We were going to be there only time enough for a quick visit and “coffee and a piece of pie,” then we would make a hasty retreat back to our apartment, before the orator returned home from her speaking engagement.   I had said my goodbyes and was going to quickly run to the front bathroom, south of the carved mahogany screen in the den, right of the oversized Oriental trunk that stuck out past the short wall by the door, and past the mammoth white and gold plaster, bejeweled elephant end-table, that in no way shape or form, matched the original large leather wing-back chair that stood out like one healthy tooth, in a mouthful of cavities. 

When I finally passed through the Filipino Open-air market and closed the door to the bathroom, something was different from my memories of 27 years of using this facility.  Sticking out like a whore in church, right atop the shaggy, fuzzy, olive-green cover of the water closet lid was a stark white plastic rectangular box, with a popup lid in the middle of the top.  I stared for a moment and wondered what horrifying, far eastern deity was going to spring forth from the container and render me immobile, as its counterparts from the den came in and turned me into human sushi.  After a moment I realized that the small box was made of plastic; not some foreign exotic wood or woven bamboo.  My curiosity got the best of me as my heart rate once again, fell to within an acceptable range and I popped open the top.  Arising from a long pliable slit in the thin bottom layer of the top of the plastic container that ran the length of the popup lid, was what has become to me, the eighth wonder of the world: a pre-moistened towelette, infused with the soothing goodness that is aloe vera, for personal hygiene use.

While I had been familiar with WetOnes as a child, the individually packaged towelette accompanying a plate of barbecued ribs, and even Baby Wipes, as Nolon Ray’s diaper changes could sometimes be a worthy opponent; I marveled at the thought of the use of a “Baby Wipe...for an adult?”  I immediately recalled the communal thrones with no stalls in the Biloxi High School Field House, tamed by periodical bearing coaches and players alike; the misspent weekend nights in college, when the evening’s debauchery often ended with a trip to Krystal or some unsuspecting Waffle House, for something, anything, covered with onions, extra cheese, peppers and chili; and even the occasional set-to with a family sized box of spicy chicken from Popeye’s and a large order of onion rings.  Yes, I was clearly in the presence of the brainchild of some unnamed genius, who in his infinite wisdom had made it possible for anyone wishing to punish themselves with the after effects of deep fried, dairy burdened, bingeing personal chastisement, could again return to a much fresher and less punishing form of moisturized cleanliness than before the battle began. 


So as my appreciation for this marvelous lotion laden papyrus has grown over these past 19 years, so have the numerous uses for this magical, hygienic tool.  As I have mentioned before, having been handed the “Errant, Clothes-Staining Food Particle ‘Curse’,” passed from my grandmother to my dad then on to me, these damp blessings make for a fantastic spot remover, eradicating tomato tainted food stains and coffee spots from clothing.  Having budding artists in our household has also made the power of the moist towelette an unbeatable foe to many a permanent marker doodle, oft found on tables, doors and walls of our home.  Finally as I have found myself, once again donning the highly polished leather pair dress shoes for my new position, a baby wipe is the perfect counterstrike for dulling scuff marks, that would normally leave the wearer in search of an old school barber shop or bus depot with a skilled, but costly shine man, to reapply a durable shine.   With all of these extra benefits afforded me by such an ingenious creation, not to mention the superlative job they do as there primary task, I would like to thank the memory of a retired missionary to the Philippines for recognizing the benefits of a chance purchase of a relatively unknown product, next to Charmin in HBA.  If it weren’t for her, I would have missed many years of using such an innovative product that leaves my skin oh, so kissably soft and smooth.    

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